Wednesday, April 2, 2014

Ordinary People (1980)


After their oldest child passes in a boating accident, the family tries to live a normal life and hide their grief.  The younger son struggles to communicate with his parents and seeks therapy to deal with his emotions.    

Well, Ordinary People was a good movie.  Better than I had expected… because I had heard literally nothing about this movie before we started this blog.  Mary Tyler Moore's inspired performance transformed her from the wholesome good girl from The Mary Tyler Moore Show to a biatch…… for real.  It was fine… just pretty ordinary… get it?  I don't have very much more to say.  It was pretty forgettable, in the same vein to me as "Man For All Seasons" and "Cimmaron."  I doubt we will watch this ever again but worth it the one time!

The title to this film seems rather uninspired at first, but it makes a lot more sense when you see the film. Essentially, this is the story of an upper-class family that is trying to pass as completely normal and “ordinary” despite the recent death of one of the children. They have a dysfunction that is much more subtle and simmering beneath the surface than, say, The Royal Tenenbaums in that the parents completely refuse to acknowledge and discuss the tragedy and how it is affecting their surviving son. Mary Tyler Moore’s fantastic performance of a mother hiding from the issue behind her status and social standing by adapting a cold and unsympathetic veneer is nearly as chilling and frustrating as Nurse Ratched. I’ve never thought of Timothy Hutton as a great actor; truth be told whenever I think of him I think of that odd Stephen Kind adaptation The Dark Half in which he plays a character and his own evil “twin” but Hutton is a revelation here that completely deserves his Oscar. I enjoyed seeing Judd Hirsch, aka Jeff Goldblum’s Dad from Independence Day as Berger the psychiatrist. I know he’s been in a number of other films but that’s always how I will remember him. I can definitely see where Good Will Hunting got some of its inspiration; I may have even only slightly mockingly said “it’s not your fault” several times during the climax. The greatest strength of this film is how it patiently metes out the details of the story for maximum impact. Actually there are many merits to this film, and much of it was even pretty memorable, but I can’t shake the feeling that this film would be somewhat obscure and unknown if it hadn’t won Best Picture. It seems like it would be a better play than a movie, and I prefer many of the other nominees from that year. David Lynch’s The Elephant Man is a truly fabulous film from a master director whose other works are sadly overlooked by the Academy, and let’s be honest, everyone prefers Raging Bull, the absolutely flawless Scorsese masterpiece that is now #4 on the AFI top 100. And where’s Ordinary People on that list? Yeah…

Elizabeth McGovern was a student at Juilliard during filming. The school permitted her to do the film on the condition that she leave for Chicago each Friday night and return on Sunday, filming only on Saturdays. It was the first time Juilliard had ever permitted a student to make a film during a school term.

Calvin "Cal" Jarrett: Don't admire people too much, they might disappoint you.

Monday, March 10, 2014

Kramer vs. Kramer (1979)

Recently divorced Ted Kramer (Dustin Hoffman) learns how to care for his young son until having to fight his ex-wife (Meryl Streep) in court to keep him.  

This was an interesting movie.  The topic of child custody was/is a very relevant issue with the increase in divorced spouses.  Seeing the effects that it has on a young child is pretty hard to watch.  Especially one as cute as Justin Henry who you can see later as the funny/douchy brother in Sixteen Candles with one of the best lines: "What the hell are you bitchin' about? I gotta sleep under some Chinaman named after a duck's dork."  Just a little fun fact for you!  Anyway, Kramer Vs. Kramer was a really great, real interpretation of repairing a broken family.  There are moments when you can understand and relate to both Hoffman and Streep.  Of course, you are meant to sympathize more with Hoffman.  The best scene in the whole movie is Ted, his first day without his wife, trying to make French Toast for his son while frazzled, late, and stressed. Great scene.  Overall, I was pretty surprised.  The ending was uplifting and hopeful to the future of the Kramer family without being, as Tim says later, schmaltzy.  


I had never seen this film prior to this blog as a form of (completely useless) silent protest as this was the film that famously beat Apocalypse Now, one of my top five favorite films for Best Picture. It actually turned out to be pretty good and manages to avoid much of the schmaltz and predictability of similar films. Hoffman and Streep both won Oscars for this film, surprising no one. I mean really, Streep has been nominated for Oscars like thirty times (and usually deserves to) and everything Hoffman is in from the late sixties to the eighties is gold and it’s a treat to see them in a movie together. Streep’s character is incredibly frustrating, albeit intentionally- she oscillates from “I don’t want this child” to “he’s my son, I love him and you can’t have him” about half a dozen times in this film but things turn out the way they probably should. The American Film Institute names this at the #3 courtroom drama of all time, after only To Kill a Mockingbird and 12 Angry Men, although it is much less a courtroom film than a domestic drama about compromise, assuming new parenting roles under pressure and what the options are after the traditional family structure falls apart. It is very interesting to see the cultural differences as Hoffman’s character receives condescension from his boss for “lowering” himself by taking care of his child and allowing family obligations to get in the way of professional ambition. I feel (and I hope) that employers in the 21st century would be more understanding and less constrained by gender stereotypes. While Kramer Vs. Kramer still does not hold a candle to Apocalypse Now, I have an appreciation for it and can recommend it to most. Plus, my silent protest is now over so you are now free to go about your normal life- pardon the inconvenience.


Dustin Hoffman planned the moment when he throws his wine glass against the wall during the restaurant scene with Meryl Streep. The only person he warned in advance was the cameraman, to make sure that it got in the shot. Streep's shocked reaction is real, but she stayed in character long enough for the director to yell cut. In the documentary on the DVD, she recalls yelling at Hoffman as soon as the shot was over for scaring her so badly.



Margaret Phelps: Joanna is a very unhappy woman and it took a lot of courage to walk out this door.

Ted Kramer: How much courage does it take to walk out on your kid?

Saturday, March 8, 2014

The Deer Hunter (1978)

The Deer Hunter follows the story of Michael, Steven and Nick, three young blue-collar workers and average Joes from Pennsylvania whose lives are forever changed by the Vietnam War.


I’m not going to lie, folks; it took us a long time to finally watch this one for the blog because I kind of scared Katie away from it by telling her it was fantastic but incredibly depressing. I’m glad we finally got to it however as it is easily one of the most intense, powerful and effective anti-war films ever made. This film has three distinct parts: the wedding/hunt, the war and the aftermath. The first time I saw this film I thought the first part with the wedding was incredibly long and drawn out but on repeat viewings it doesn’t seem so; it’s truly necessary to have the glimpse of the normalcy of their simple lives and to have that kind of relief before those lives are thrown into upheaval forever. Nothing is ever the same for the characters, even after they return home. The internment camp and the Russian roulette scenes are truly some of the most harrowing and suspenseful you will ever see in film- I know what’s going to happen, but those scenes remain as impactful and shocking for me as the first time. This film is significant for a myriad of reasons. Not only is it notable for Christopher Walken’s brilliant Oscar-winning performance, featuring a very authentic-looking thousand-yard stare, but it is also the equally fabulous John Cazale’s final performance. Cazale was only in five films before he died far too soon of cancer, and each one was a classic that either won or was nominated for Best Picture. This was also the film that catapulted director Michael Cimino into the spotlight, whose follow-up film to this entitled Heaven’s Gate was such an unmitigated financial disaster that it essentially ended the Western film genre and was responsible for the shift of creative control from directors to producers. Oddly enough, I hear that now that the dust has settled that it’s actually a pretty decent film but I’ve never seen it so it’s on my to-do list. Nevertheless, none of that diminishes the quality and reputation of The Deer Hunter, a true classic that everyone should see at least once.


So… this is probably the most stressful movie of all the movies.  If they had an AFI top ten list for most stressful scenes, the Russian roulette scene(s) would be at the very top.  And after watching this, Russian roulette was in like every single movie and/or television show.  It was everywhere…even in Disney movies (just kidding… it wasn't but it felt like that).  As Tim mentions, the movie really is set up into three parts.  And after enduring the first two parts, it's really hard to watch the one of the final scenes.  The final scene shows how the war has changed all of these hopeful young kids into weary young adults.  This movie also shows a glimpse of how PTSD was not treated as a life-threatening mental illness.  After some of the main characters are captured with guns held to their head, they are expected to go home and resume their forever changed lives.  It's amazing how misunderstood and alone they seem.  I can't say I loved this movie but it's an important film and it's a great one.  I probably won't watch this too many more times and definitely not on a weeknight (because it's long and keeps me up worrying).  I think I'll watch Tangled now.  


John Cazale was very weak when filming began, and for this reason, his scenes were filmed first. Michael Cimino knew from the start that Cazale was dying from cancer, but the studio did not. When they found out, they wanted to replace Cazale. When Meryl Streep learned of their intentions, she threatened to quit if they did. Cazale died shortly after filming was completed.




Nick: I don't think about that much with one shot anymore, Mike.
Michael: You have to think about one shot. One shot is what it's all about. A deer's gotta be taken with one shot.

Tuesday, March 4, 2014

Oscar Winners and Our Thoughts

This year's Oscars were pretty predictable. Ellen's hosting was pretty awesome.  She cracks me up!  It was interesting to see how poorly Kim Novak and Goldie Hawn have aged (with plenty of help from their surgeons) but Sidney Poitier, who I'm sure had no surgeons, was such a handsome older man.  I'm a little bummed that there was no love for my favorite movie, Nebraska.  I was surprised (pleasantly) that The Great Gatsby won two awards!  But none for Leo.  Poor Leo.  He's going to be the next Peter O'Toole.  Nominated for a million, winner of none.  An unexpected win for Lupita Nyong'o, I thought Jennifer Lawrence had it in the bag but it was nice to see Lupita win.  Both her, Jared Leto, and Cate Blanchett had great acceptance speeches.  There were a few odd ones, the shining moment was the acceptance for documentary where the "lead" sang a cappella gospel music… granted I wasn't totally paying attention immediately before this, so maybe someone asked her to or there was a better reason than that… but it seemed pretty weird.  All in all we had a blast predicting it.  I mean the Oscars are basically our Super Bowl.  We even went in on some local ballots with our guesses.  We haven't heard anything yet but we are still hopeful we'll win tons of free movie tickets!!  



Best Picture

Who we want to win:  Nebraska/ The Wolf of Wall Street
Who we think will win: 12 Years A Slave / 12 Years a Slave
Winner: 12 Years a Slave 

Best Actor
Who we want to win: Bruce Dern / Any of them except Bale
Who we think will win: Matthew McConaughey/ Matthew McConaughey 
Winner: Matthew McConaughey

Best Actress
Who we want to win: Meryl Streep / Cate Blanchett
Who we think will win:  Cate Blanchett/ Cate Blanchett
Winner: Cate Blanchett

Best Supporting Actor
Who we want to win:  Jonah Hill/ Michael Fassbender
Who we think will win: Jared Leto/ Jared Leto
Winner: Jared Leto

Best Supporting Actress
Who we want to win: June Squibb / June Squibb
Who we think will win: Jennifer Lawrence / Jennifer Lawrence/Lupita Nyong'o
Winner: Lupita Nyong'o


Animated Feature
Who we want to win:  Frozen / Frozen
Who we think will win: Frozen /  Frozen
Winner: Frozen

Cinematography
Who we want to win: Gravity / Gravity
Who we think will win: Gravity / Gravity
Winner: Gravity

Costume Design

Who we want to win: The Great Gatsby / 12 Years a Slave
Who we think will win: American Hustle / American Hustle
Winner: The Great Gatsby

Directing

Who we want to win: Gravity/ Gravity
Who we think will win: Gravity / Gravity
Winner: Gravity

Film Editing

Who we want to win: Gravity / Gravity
Who we think will win: Gravity / Gravity
Winner: Gravity

Makeup and Hairstyling 

Who we want to win: Jackass Presents: Bad Grandpa (Just so there can be an "Oscar Winning" Jackass movie / Dallas Buyers Club
Who we think will win: Dallas Buyers Club / Dallas Buyers Club
Winner: Dallas Buyers Club

Music: Original Score

Who we want to win: Her / Her
Who we think will win: Her / Gravity
Winner: Gravity

Music: Original Song

Who we want to win:  Let It Go/ Let it Go
Who we think will win: Let It Go / Let it Go
Winner: Let It Go

Production Design

Who we want to win: Her / Her
Who we think will win: Her / American Hustle
Winner: The Great Gatsby

Sound Editing

Who we want to win: Gravity /Gravity
Who we think will win: Gravity / Gravity
Winner: Gravity 

Sound Mixing 

Who we want to win: Gravity / Gravity
Who we think will win: Gravity / Gravity
Winner: Gravity

Visual Effects 

Who we want to win: Gravity/ Gravity
Who we think will win: Gravity / Gravity
Winner: Gravity

Best Adapted Screenplay

Who we want to win: Before Midnight / The Wolf of Wall Street
Who we think will win:  Before Midnight/ 12 Years a Slave
Winner: 12 Years a Slave

Best Original Screenplay

Who we want to win: Nebraska/ Her
Who we think will win: Her/ American Hustle
Winner: Her


The Working Title honorable mentions.


Worst Pronunciation of a Name: John Travolta for Adelle Dazeeb (Idina Menzel….obviously)


Most Awkward Phone Sex with Dead Cat: Kristin Wiig in Her


Grossest, Dirtiest Rodeo Sex:  Matthew McConaughey and anonymous dirty ho-bags in Dallas Buyers Club 


Best Impromptu Song in a Film: Matthew McConaughey's free-styling in The Wolf of Wall Street


Best Prosthetics: Jonah Hill…. for teeth and penis… in The Wolf of Wall Street

Sunday, March 2, 2014

Oscar 2013 Predictions!

This year was a GREAT year for movies!  Here are our predictions! 

Best Picture
Who we want to win:  Nebraska/ The Wolf of Wall Street
Who we think will win: 12 Years A Slave / 12 Years a Slave

Best Actor

Who we want to win: Bruce Dern / Any of them except Bale
Who we think will win: Matthew McConaughey/ Matthew McConaughey 

Best Actress

Who we want to win: Meryl Streep / Cate Blanchett
Who we think will win:  Cate Blanchett/ Cate Blanchett

Best Supporting Actor

Who we want to win:  Jonah Hill/ Michael Fassbender
Who we think will win: Jared Leto/ Jared Leto

Best Supporting Actress

Who we want to win: June Squibb / June Squibb
Who we think will win: Jennifer Lawrence / Jennifer Lawrence/Lupita Nyong'o



Animated Feature
Who we want to win:  Frozen / Frozen
Who we think will win: Frozen /  Frozen

Cinematography

Who we want to win: Gravity / Gravity
Who we think will win: Gravity / Gravity

Costume Design

Who we want to win: The Great Gatsby / 12 Years a Slave
Who we think will win: American Hustle / American Hustle

Directing
Who we want to win: Gravity/ Gravity
Who we think will win: Gravity / Gravity

Film Editing

Who we want to win: Gravity / Gravity
Who we think will win: Gravity / Gravity

Makeup and Hairstyling 

Who we want to win: Jackass Presents: Bad Grandpa (Just so there can be an "Oscar Winning" Jackass movie / Dallas Buyers Club
Who we think will win: Dallas Buyer's Club / Dallas Buyers Club

Music: Original Score

Who we want to win: Her / Her
Who we think will win: Her / Gravity

Music: Original Song: 

Who we want to win:  Let It Go/ Let it Go
Who we think will win: Let It Go / Let it Go

Production Design
Who we want to win: Her / Her
Who we think will win: Her / American Hustle

Sound Editing

Who we want to win: Gravity /Gravity
Who we think will win: Gravity / Gravity

Sound Mixing 

Who we want to win: Gravity / Gravity
Who we think will win: Gravity / Gravity

Visual Effects 

Who we want to win: Gravity/ Gravity
Who we think will win: Gravity / Gravity

Best Adapted Screenplay

Who we want to win: Before Midnight / The Wolf of Wall Street
Who we think will win:  Before Midnight/ 12 Years a Slave

Best Original Screenplay


Who we want to win: Nebraska/ Her
Who we think will win: Her/ American Hustle



Saturday, March 1, 2014

Wolf of Wall Street (2013 Nominee)

The Wolf of Wall Street is the true-life story of Jordan Belfort (Leonardo DiCaprio), a talented and ambitious but small-time stock broker that partners with Donny Azoff (Jonah Hill) to start the very successful Stratford-Oakmont, a brokerage firm that gained notoriety by gaining profits with penny stocks.



This movie was like Flight where you are watching it and you can't even believe that people can actually function with that amount of drugs in their system.  The only thing different was, it was an [bleeping] blast!  I mean it was funny but intense.  Jonah Hill and Leonardo DiCaprio were awesome.  Leo carried the movie but Jonah had all the best lines and his weirdo teeth are mesmerizing...you seriously can't look away.  To add to the awesomeness, this was Rob Reiner's first film in almost ten years! My favorite line uttered by this brilliant man was: "Who the f**k has the god d*mn gall to call this house on a Tuesday night?"  Classic.  OH and by the way, this movie used the "F" word 506 times making it the film with the most "F" bombs ever.  So if that word makes you sensitive…. you should just skip this one.  Just in case you need proof: http://variety.com/2014/film/news/wolf-of-wall-street-breaks-f-word-record-1201022655/ttp://variety.com/2014/film/news/wolf-of-wall-street-breaks-f-word-record-1201022655/.  Because the "F" word is the least of your problems.  What you should be worried about is the prosthetic penis, near death by a piece of ham, candles in unusual place and all the blow and prostitutes that money can buy.  That being said, it's a great movie about the rise and inevitable fall of Jordan Belfort.  The amazing thing about the editing is this crazy, fast-paced film will make you think the editors were encouraged to snort some cocaine before they got to work.  Seriously. 



In the last few blogs, I’ve already claimed that Gravity is the most significant technical achievement and 12 Years a Slave is likely the most accomplished film of this year. But despite all of that, The Wolf of Wall Street is my favorite film of the year that I will certainly revisit the most often. I will admit right away that I am likely biased since I am a Scorsese disciple that would basically award all of his films with Best Picture, but it’s hard to argue when he proves himself time and time again as the greatest American film director alive at the very least. It seems that the controversy over this film was in high gear before it even came out, with many claiming that it glorified Jordan Belfort and his criminal activities and lifestyle instead of condemning it. Apparently these people do not fully grasp the concept of satire and did not see the same film I did; Scorsese is a master filmmaker that is capable of much more than just a this-or-that approach. Not one to settle into any one style or become stale with age, Scorsese still has many surprises even for his hardcore fans. Just when you think this is going to be another in the Goodfellas or Casino mold in which the protagonist breaks the fourth wall to explain how everything works, Belfort will interrupt himself to say something like, “you know it doesn’t really matter, the point is we made a ton of f$#!%@# money.” The Wolf of Wall Street will have you laughing uncontrollably before the guilt sets in that you are laughing at gullible but innocent lower-middle class people getting screwed, and that essentially you are cheering for the wrong team… unless you belong to that upper echelon of society, in which case you may not feel the guilt and are likely a part of the problem anyway. In the film’s first thirty minutes or so, you may find yourself shrugging off the controversy like it’s not that excessive, but by film’s end, you will have seen more drug use, nudity and profanity than in any R-rated film you can remember. DiCaprio’s fabulous performance, brimming with twitchy, drug-addled energy matches the material and easily earns another nomination and likely another disappointing loss for him. There are too many spectacular supporting performances to name them all, but one that truly deserves mention is Jonah Hill, up for his second Oscar this year. His shared scene with DiCaprio in which they are so high on Quaaludes that they are only capable of groaning and drooling at each other is the pinnacle of how pathetic their characters really are and is one of the riskiest and best scenes in any film this year. It’s fantastic to see Hill really bloom as an actor; the guy who professed himself the “Iron Chef of pounding vag” in 2007’s Superbad is now nominated for Oscars and appearing in Scorsese and Tarantino films, so miracles can happen. Some will find the ending to this film aggravating since Belfort’s consequences don’t seem to be proportional to the suffering he’s caused nor does he seem to truly change for the better, and they would be right. And therein lies the satire- that people that live in Belfort’s economic bracket can screw over their friends to get out of trouble, buy their way out of the same rules that everyone else has to play by and may even be elevated as heroes thanks to a society with dangerously misguided priorities. Who’s laughing now? Despite the fact that it will likely lose most if not all of its Oscar nominations due to the controversy, I predict that time will look very kindly upon this film. The fact that Scorsese could pull this off without mocking the audience and still make for an incredibly entertaining and fast-paced film makes it my favorite of the year.



Real-life Jordan Belfort appears in a brief role in the film's final scene, introducing his cinema stand-in Leonardo DiCaprio. As accurately portrayed, Belfort is now a motivational speaker who previously served 22 months in federal prison for stock fraud.




Jordan Belfort: Let me tell you something. There's no nobility in poverty. I've been a poor man, and I've been a rich man. And I choose rich every fucking time.  

(I swear mom, it was impossible to find a quote without the "F" word…)

Friday, February 28, 2014

12 Years a Slave (2013)


Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery.

This ought to be an interesting blog post as Katie and my opinion wildly differ. This is my personal pick for Best Picture of the year, and outside of the vast technical achievements of Gravity is the most complete and accomplished film of the year. The film is also frequently hard to stomach and may have the least replay value of the nominees which will likely turn many people away. Steve McQueen impressed me incredibly with 2011’s Shame and he is rapidly establishing himself as a fearless, uncompromising voice. This film is already being called the Schindler’s List of slavery films and it’s hard to disagree as it presents such a definitive and multifaceted approach to the subject that it’s difficult to see how this will ever be topped. Instead of a protagonist that can’t comprehend his situation, Solomon Northup (Chiwetel Ejiofor) is a very educated, free man that is thrust into the most degrading, humiliating circumstances simply because he put naïve trust in seemingly innocuous strangers. Nearly every character of this film represents a different aspect of the social strata of the time rarely investigated in many films. Ford (Benedict Cumberbatch) demonstrates that not all slave owners were inherently evil but were locked into an economic system over which they had little control. The fabulous Oscar-nominated Michael Fassbender plays a character that acts out his frustrations towards slaves over being frequently emasculated by his wife in a male-dominated society. The inhumanity and complete lack of recognition of slaves as human lives is felt as never before in this film- the opening scene of this film shows a fellow slave silently influencing Solomon to give her sexual pleasure, a cry for help after an interminable time without being able to fear anything but numbness and fear before she turns away in weeping shame. I literally lost sleep over it the night I saw it and remained preoccupied and frustrated the next day over the conclusion. The film’s ending is not disappointing nor is it completely depressing or unresolved, but I wanted more closure, more justice, more satisfaction- and the fact that the ending didn’t and couldn’t give you that was merely its final stroke of brilliance. While it was not the most entertaining or most enjoyable film of the year and it will not sweep all of its nominations, I believe 12 Years a Slave has the deserved momentum to win Best Picture and secure an important place in history.

So of all of the movies this year this was my least favorite.  Don't get me wrong, it's a great film but I don't see me watching it ever again.  Like most movies based on slavery, it's not exactly easy material to watch after a long day at work.  Tim and I disagree but I sort of felt like it was the male version of The Color Purple.  The Color Purple is great and all but who wants to watch that?  Maybe I'm totally wrong and I thought the performances were great but it just wasn't my deal.  I think it's an important story that needs to be shared: a free man being abducted and forced into slavery was a new aspect.  And the fact that it's based on a real story is pretty sick.  I guess at the end the payoff was good but not as good as I wanted it to be.  It was worth it once, but why would you put yourself through that again?  However, as the movie came to it's conclusion, I did weep like a small child. 

In order to better portray an alcoholic Michael Fassbender had his makeup artist paint his mustache with alcohol so that the other actors would react naturally to the smell as they would to a man who had been drinking heavily.



Solomon Northup: I don't want to survive. I want to live.

Thursday, February 27, 2014

Philomena (2013 Nominee)

A political journalist, Martin Sixsmith, picks up the story of Philomena's search for her son, who was taken away from her decades ago after she became pregnant and was forced to live in a convent.

Every year there seems to be one Best Picture nominee that is the independent underdog, the one that sort of sneaks in there that many may not have seen, and this year that film is Philomena. We had to go to some lengths to see this film; luckily, Katie and I were visiting my brother in Missoula to see a play he was in and it was showing a vintage theater downtown- you know, like one that serves alcohol and still has red curtains that part to reveal the screen. Unfortunately, we watched it in the smaller viewing room with a pretty small screen and there were lots of fizzes and pops during the movie. You could hear the whirring of the projector the whole time and the movie even stopped in the middle for a few minutes because someone forgot to switch the reel. It was one part charming and at least one part ghetto; I sometimes worried that I may be sitting in between Pee-Wee Herman and Travis Bickle, if you catch my drift. But anyway, I digress. We came to this film with little idea of the plot, and I anticipated a cute British comedy because of the posters but this is actually a pretty serious film with some frustrating issues and painful subject matter. Judi Dench is fabulous as always but the real surprise here is Steve Coogan. On top of a solid performance he has taken on writing and producing duties to produce a wonderful film and is up for several Oscars on Sunday. This was obviously a project he had a lot of passion for (he even read the script for Dench as her eyesight is reportedly beginning to fail her) and it’s wonderful to see that pay off. We have always been fond of him but we didn’t expect this out of him- I mean he’s the guy that exploded into a million pieces in Tropic Thunder and showed the whole world his junk in Hamlet 2. Much like Nebraska, a perfectly balanced tone of comedy and tragedy makes Philomena a less extravagant but equally worthy addition to this year’s Best Picture nominees.

To me, this movie was all about forgiveness.  Dench's performance as the unwavering Catholic despite the fact that nuns stole her child.  At times her devotion is upsetting to both Steve Coogan and the audience.  You don't know if you want to slap some sense into Philomena or kick some nun ass.  Philomena's search for her son is really an amazing story and it's even more amazing because it's based on a real story.  I will tell you one thing, if you begin this movie thinking that Steve Coogan is Judi Dench's son, he's not… let's just get that out of the way.  Like Tim said, it's so nice to see Coogan in a serious role… even though we're watching Hamlet 2 as we are writing this.  Philomena is actually hard to watch but it's a beautiful story.   Go rent it, it comes on March 3rd.  How do I know this?  Well, what Tim doesn't mention above is how psycho I got about seeing this movie.  I'm not kidding you, when I went to Fandango.com to see the nearest showing and it was in Idaho.  I was planning on making a trip… I even emailed the owners of the movie theaters in town trying to convince them to bring Philomena to theaters.  Luckily, it worked out.  But I wasn't going to give up!  Just like Philomena!


There are flashbacks which are done with "home movies". Some of these were created for the film but some of them are from actual footage of her real son.




Philomena: And after I had the sex, I thought anything that feels so lovely must be wrong.
Martin Sixsmith: Fucking Catholics.

Wednesday, February 26, 2014

Nebraska (2013 Nominee)

An father makes the trip from Montana to Nebraska with his semi-estranged son in order to claim a million-dollar Mega Sweepstakes Marketing prize.

Ok.  I LOVE this movie.  This was my favorite movie of the year, which yes, includes Frozen.  I KNOW, RIGHT???  So why was this my favorite movie of the year?  Well, for starters the beginning of the movie takes place (and was filmed) in Billings, Montana.  I mean… I live here now, so that's pretty cool.  Next, Bruce Dern's performance as the alcoholic dad is amazing! He is determined to claim a million-dollar Mega Sweepstakes Marketing prize which everyone in his family knows is a big hoax but regardless, they help him get there despite all of the ill feelings from the past.  AND the wife, played by June Squibb, is the sassiest gal in all the land!  She says things that will make your jaw drop to the ground.  This movie is about crazy families doing the best they can and sticking together.  But most importantly, I think my new job in hospice really enhances my compassion and understanding of an older man's last hoorah and this movie beautifully displays that.  If you are watching it and you think you know how it's going to end, you don't.  But don't fear!  It's the perfect ending to this wonderfully crafted film.  I would LOVE it if this movie won best picture but it probably won't.  And I think Bruce Dern SHOULD win Best Actor but he probably wonIt's on DVD, so go rent it.  Immediately.  

I had first heard of Nebraska because of the Internet buzz surrounding Bruce Dern’s performance, so I guess I sort of assumed that it would be a great performance but the movie would just be meh. In a year full of them, Nebraska is the biggest surprise of the year- it’s incredibly funny, memorable and touching. Even though it seems like American Hustle is getting all of the attention for acting and screenplay, I feel like much of that attention is more deserving for Nebraska; I would love to see Bruce Dern and June Squibb win Oscars even if they don’t seem like the most likely choices. Seriously, all of Squibb’s dialogue is priceless and she says it perfectly. In one scene, she approaches a headstone in a graveyard saying, “There's Woody's little sister, Rose. She was only nineteen when she was killed in a car wreck near Wausa. What a whore!” We’ve been quoting this movie since we saw it and can’t wait to see it again, which makes this somewhat unique among this year’s nominees- it’s not like we’ve been giggling about the lines or quoting 12 Years a Slave. So seriously, don’t pay attention to those that may say this is boring or undeserving of awards attention and see this with as few spoilers as possible. It just may be the biggest surprise of the year for you, too.

Alexander Payne's fourth film set in his home state of Nebraska, after Citizen Ruth(1996), Election (1999) and About Schmidt (2002).



Kate Grant: I ain't fiddlin' with no cow titties. I'm a city girl!

Tuesday, February 25, 2014

Her (2013 Nominee)

Theodore, A lonely writer, develops an unlikely relationship with his newly purchased operating system that's designed to meet his every need.

First off, let me say how much I dislike Scarlett Johansson.  I am seriously… She bugs me.  She is typecast into the slutty, dumb roles and men just drool all over her…. blegh.. ANYWAYS, this year she has begun to change my mind.  Her role in Don Jon was awesome (I recommend that film!  Disappointed it got no love for screenplay from the academy).  And her performance in this is quite good.  She plays Samantha, the OS who Theodore falls in love with, which means it's just her voice.  I was very impressed by the range of emotion she was able to convey and Joaquin Phoenix's relationship with her was so interesting and believable. It almost started to make sense.  And yes the sexual aspect of this movie took some pretty odd turns, yet made the movie much more intriguing.  There is a minor vocal part by Kristin Wigg that almost had me peeing my pants.  It was super funny.  I assumed the movie in general would be much more humorous than it was because it was actually pretty sad, yet hopeful.  Highly recommended and a very unique and interesting take on where technology is affecting our relationships with people.  If you like this, give quirky  Lars and the Real Girl a shot- not as high budget but just as much heart.  

It is so fantastic to see Joaquin Phoenix and Spike Jonze working again; the fact that it is working together is just a bonus for us. Spike Jonze is the genius behind the wonderfully quirky Being John Malkovich and the staggeringly original Adaptation, which has become one of my all-time favorite films.  I feared that Phoenix would have a hard time finding work after his possibly brilliant but certainly frustrating I’m Still Here burned some bridges but his work in The Master was fantastic and it’s great to see him taking brave and difficult roles. Her portrays a future that seems frighteningly near in which human interaction is stunted by the operating systems that are permanently queued up in people’s lives- think of a weird combination of an IPad, being jacked into The Matrix and sitting in one of the hoverchairs in WALL-E all at the same time. Even the lead character’s job of dictating to a computer beautiful love notes from other people to other people to be reproduced to look handwritten seems like a real occupation in the not-too-distant future. Yet something about the performances, the script and the vulnerability of the characters makes this weird relationship really powerful. While there seems to be an obvious stigma about being “in love” with a computer, it’s hard to find it too weird in the 21st century when their first dates together are a mirror image of what you see people doing in every cell phone commercial you have ever seen. Katie and I walked into this movie expecting a romantic comedy, and while it occasionally is (the CG avatar that Phoenix encounters in his video games is absolutely hilarious) this movie also hit me deep and sometimes could be a painful experience as it becomes clear that this evolved form of closeness may only lead to new forms of rejection. But it also left a deeper impact on me than several of the films that received more nominations or got more press. Her is ultimately a hopeful story of the triumph of humanity, and while it won’t be to everyone’s taste, it was one of my favorite and most thought-provoking of the year.


During some of the more emotional scenes, Amy Adams would sing songs from famous musicals like "Annie" and "The Rocky Horror Picture Show" in order to cheer herself up. Eventually, Joaquin Phoenix would join in and they would sing together. However, they stopped after they saw Spike Jonze filming them.



Amy: I think anybody who falls in love is a freak. It's a crazy thing to do. It's kind of like a form of socially acceptable insanity.

Monday, February 24, 2014

Gravity (2013 Nominee)

Gravity is about Ryan Stone (Bullock) and her first trip to space.  An accident occurs and she must find a way to make it back to Earth alone. 

My first thoughts after seeing the trailer is theater for this movie were, “shit, this is really loud” and “this movie seems meant to be a showcase for neat 3D and little more.” What really piqued my interest was the tag at the end that said, “directed by Alfonso Cuaron.” This was the guy that made the titillating but impressive Y Tu Mamá También, helmed the arguably flawless Children of Men, and elevated the Harry Potter franchise to a level of artistry and adult appeal that it never looked back from. Then of course the reviews and word of mouth were impossibly good so I knew I had to see what the fuss was about, and we did in style- we checked it out on an oversized XD screen in 3D and not only was it easily on the same plateau of technological achievement as Avatar and The Life of Pi but it was one of the most immersive and memorable theater experiences I can remember… you know, except for the old guy in the theater that couldn’t remember where he was sitting and the wife shouting his name and rustling candy wrappers the whole time but at least they kept our feet on the ground, quite literally. I’m not a huge fan of the 3D thing but the 3D is this film was possibly the best I’ve seen, if not it’s at least as good as Avatar or Tron: Legacy. I’m also not the biggest Sandra Bullock fan (unless it’s Speed or Demolition Man as those films are unassailable to me), but her performance here is incredible especially when you consider that she was probably filmed in a giant can or on a green screen the whole time. The cinematography and creativity that went into the constantly changing camera angles were among the many fantastic achievements of this film, but is it really the Best Picture of the year or a landmark of storytelling? Probably not, and I doubt it will win Best Picture unless there is a split in the votes or this emerges as an underdog or popular choice but it will almost certainly sweep the technical categories and it has a very real shot at winning Best Director. There are those that will scoff at the science behind this film or call it overrated because of the many hyperboles that surround its reception, but make no mistake it is a truly memorable and unique film experience that reminds people of why they go to movies in the first place that will have a lasting impact on 3D and the films of the future.


Sandra Bullock alone for an entire movie.  It's the Castaway of space.  And shit just keeps happening and getting worse… and worse.  It's very tense. The film looked so amazing and really was enveloping.  For me, her performance was great and the special effects were outstanding but as a story telling device, I'm not sure.  Parts of the story felt like they were looking at problems astronauts could come across in space and then wrote them all into the script AND THEN added like twelve others.  It's a great movie but this movie was lower on my list as far as the other nominees are concerned.  Worth a watch and actually super worth it in 3D on an obnoxiously large screen. 


The off-screen voice of Mission Control is Ed Harris, who played real-life mission director Gene Kranz in Apollo 13 (1995) and John Glenn in The Right Stuff (1983).




Ryan Stone: I hate space!